[music:] Faust’o, Poco zucchero (1979)
It’s hard to explain to a worldwide audience the importance of mr. Fausto Rossi (aka Faust’o) for italian pop music. Possibly the simplest way to introduce him is saying that, even if practically unknown to a greater public, as often told for the Velvet Underground almost everyone who bought his albums later formed a band. Generations of musicians and songwriters have been inspired and influenced by his work, from Garbo to Bluvertigo and beyond.
Faust’o debuted in 1978 as one of the young artists signed by Caterina Caselli for her label Ascolto, a CGD subsidiary. Caselli had been one of the most succesful female pop singer in the sixties (if you know Nanni Moretti’s movies you will sure remember the scene in the car in his Palme d’Or winning La stanza del figlio – The Son’s Room – in which the whole family sings together one of Caselli’s biggest hits, “Insieme a te non ci sto più”). In the seventies, she had started a new career as an A&R at CGD, and obtained to manage a sublabel of her own to release records by her friend Pierangelo Bertoli (a talented singer/songwriter) and to scout new artists from the alternative scene, helped by a small group of trusted people, like the songwriter Oscar Avogadro. They came up recruiting, among others, this 23 years old worringly skinny guy born in Sacile, Friuli, but living and working in Milan, named Fausto Rossi.
He teamed up with Avogadro, as a producer, and former Formula 3 guitarist Alberto Radius to record his first full-length effort, Suicidio (“suicide”, 1978): a stylized glam-wave manifesto which mainly stroke its listeners with its angry, explicit yet poetic lyrics, and gained him the definition of “italian David Bowie” – even if he disowned the album saying that it had suffered too much from label’s pressure.
Coming back to the studio, he was actually claiming more control on the recording process and the artistic choices, and was allowed to produce himself the new songs, helped again by Avogadro and Radius. The result, Poco zucchero (“a little sugar”, 1979), stands as a cornerstone for the then-rising italian new wave scene.
The cold wave/art glam/minimal funk takes driven by Faust’o synths and Radius’ nervous guitar lines served perfectly as a canvas for his tales of urban, contemporary spleen, love, hate, discomfort and discontent as in “Kleenex”, “Il lungo addio” or the magnificent “Funerale a Praga” (which has been sampled by Baustelle in the opening track for their major debut La malavita, released in 2005). His sharp, theatrical voice sounded more original than ever, and became a landmark for italian rock singers in the eighties. In a word, this album was seminal. The definitive anti-cantautore – and the best interpreter of the post-engagement era – was officially invested.
Here is the tracklist:
01, Vincent Price
02, Cosa rimane (“what’s left”)
03, Attori malinconici (“melancholic actors”)
04, Oh! Oh! Oh! (also released as a 7″ b/w “Vincent Price”)
05, In tua assenza (“when you’re away”)
07, Il lungo addio (“the long goodbye”)
08, Funerale a Praga (“funeral in Prague”)
Get it: Faust’o, Poco zucchero (1979)
[edit April 8th, 2009: download link has been removed as requested by faustorossi.net
Go visit the website for further info about Fausto Rossi’s new album, Becoming visible, and to listen to his previous records.]
Faust’o has released four other great LPs under his stage name until 1985. Since 1992 he has been recording and performing as Fausto Rossi releasing four albums, the last being Becoming visible (2009), and produced Lungo i bordi (“along the borders”) by Massimo volume in 1995.
Find more info, pics and stuff at Fausto Rossi’s official site (in italian).