Anni di piombo, anni di paillettes.

Music from a country on the verge of a nervous breakdown.

[music:] Monofonicorchestra/Naif orchestra, Invito a cena/Invito a letto (1982)

with 4 comments

I already had a couple of chances to mention the magazine “Frigidaire” before. To put it plain and simple, in its golden years – circa 1980-1986 – “Frigidaire” has violently pushed italian culture forward by kicks and shoves, forcily dragging graphic arts, journalism, arts and arts criticism, comics, music, popular imagery into the postmodern age. Founded in 1980 by agit-prop professional Vincenzo Sparagna together with people from the “Cannibale” crew – Andrea Pazienza, Stefano Tamburini, Filippo Scozzari, Tanino Liberatore and Massimo Mattioli – it has survived  the sudden and premature death of its art director and author of the successful comics character Ranxerox (Tamburini, in 1986) and its most gifted visual artist and comics rockstar (Pazienza, in 1988), and a heavy turnover of contributors, being published until 1998.

Issue number 14, January 1982, came with two new year gifts: a pin-up 1982 calendar drawn by Andrea Pazienza and a 7″, 33rpm split EP with no sleeve. The a side, Invito a cena con Monofonicorchestra (“invitation to dinner with Monofonicorchestra)” – the one with the bloody razor – featured kinda no wave-muzak for weird cocktail parties where the barman took trieline instead of gin; the b side, Invito a letto con Naif orchestra (“invitation to bed with Naif orchestra”) – the one with the nude, bald woman with the glasses – had more of an imaginary soundtrack to an avantgarde porn movie, like, say, having sex with an answering machine. Incidentally, one of the most iconing records from italian new wave.

Monofonicorchestra (sometimes also spelled as Monofonic orchestra) was basically a moniker for Maurizio Marsico, an electronic performer, piano player and dj friendly involved with the “Frigidaire” guys. He contributed to the record with a series of short instrumental tracks named after the dishes of a full course dinner. If you ever happened to listen to his Friend’s portraits, released in 1981 by Italian Records, you will recognise the same familiar cartoon soundtrack-like style, with juxtaposed blocks of music, and the distinctive use of classic and contemporary minimal piano patterns – such as in “Secondo e contorno”, which runs after the melody from “Eleanor Rigby” in an endless spiral.

Naif orchestra was the pop outfit for Bigazzi brothers (Arlo and Giampiero) from Florence. They had founded the independent label Materiali Sonori – through which this EP was released – in 1977, to put out the first record of their avant-folk band Canzoniere del Valdarno. In the eighties, the label became a kind of an italian home for the likes of Tuxedomoon, Controlled Bleeding, Roger Eno, Embryo, The Durutti Column, Minimal Compact, Jon Hassell and many others, and hosted italian acts such as Militia, Neon, Giovanotti Mondani Meccanici, Arturo Stalteri (formerly of Pierrot Lunaire), Alexander Robotnick. As for Naif orchestra, what they contribute here are four mutant-wave-electro-disco tracks with sampled woman moans and funny explicit lyrics – except the last one, written with Marsico.  They also succeded in entering the history of italo-disco with their classic “Check-out five” (1984) before going on indefinite hiatus.

Here is the tracklist:

Invito a cena con Monofonicorchestra
01, Aperitivo (“aperitif”)
02, Antipasto (“appetizer”)
03, Primo (“first course”)
04, Secondo e contorno (“main course and sides”)
05, Formaggio (“cheese”)
06, Frutta e frutta esotica (“fruit and exotic fruit”)
07, Dessert

Invito a letto con Naif orchestra
08, Dis-moi tout, mon amour
09, Duro (“hard”)
10, It’s your ass that’s on the line
11, Extending guest

Get it: Monofonicorchestra/Naif orchestra, Invito a cena/Invito a letto (1982)

Maurizio Marsico continues to perform and record music, most of the times together with his long-time friend Andrea Tich; anyway, he makes his living by directing an important monthly magazine about tv serials, “Series”. Arlo and Giampiero Bigazzi are still in the music business, you can check out Materiali Sonori’s site to learn about their work and browse the label’s catalogue.

If you got interested in “Frigidaire” you can’t miss the newly published luxurious book about its history, stuffed up with images and full comics (in italian). You can also visit the imaginary republic of Frigolandia.

4 Responses

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  1. […] between 1979 and 1980, showing Filippo Scozzari coming out of a fridge and speaking about “Frigidaire”, “a luxury magazine for the great élite masses”. On the wooden stairs you can see […]

  2. “he makes his living by directing an important monthly magazine about tv serials, Series”

    Non è che sia così importante ‘sto mensile eh… insomma… ok la mitologia del passato, ma il presente è un po’ diverso!

    liquida27

    April 18, 2009 at 4:55 pm

  3. Sono quello del commento sopra. Comunque Marsico è un grande e dovrebbe continuare a fare musica. Non Series che non è decisamente nelle sue corde

    Mach3

    April 18, 2009 at 5:19 pm

  4. benvenuto mach3. non sono un grande esperto di critica televisiva, ma credo che series sia stata la prima rivista dedicata ai serial in italia. dici che non è corretto definirla “importante”? preferisci telefilm magazine?

    alteralter

    April 18, 2009 at 5:51 pm


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