Posts Tagged ‘skiantos’
Given its commitment for a musica totale (“total music”) and its endeavours to establish a new urban rock form supporting artists such as Eugenio Finardi, Alberto Camerini, Andrea Tich, the same Claudio Rocchi, it made somehow perfectly sense that in the late Seventies Cramps Records directed its attention to the then rising italian punk scene, releasing already in 1978 “Karabigniere blues/Io sono un autonomo”, a single by Skiantos, the “demented rock” band which I already mentioned in the post about Gaznevada’s tape, and then their LPs MONOtono (“MONOtone”, 1978 ) and Kinotto (1979).
Following these first steps, in 1980, during the difficult times after the death of Demetrio Stratos, in the middle of “riflusso” and when its founder Gianni Sassi was increasingly losing interest in the label’s events, a new series of coloured-vynil 7″ by seven (post)punk acts from Central-Northern Italy was launched, under the name of “Rock ’80”. The songs from these singles (with the exception of Skiantos’ b-side “Mi piaccion le sbarbine” and Kaos Rock’s “Oh! Caro amore/Policeman”) were then collected in the same name album, curated and mixed by Paolo Tofani. A record which I consider the most meaningful epitath for this daring, clumsy, glorious independent record company.
Bologna led off the dance with two bands which had debuted on Harpo’s tapes series: just Skiantos, with a bowel-moving delirious funky about beans (“i fagioli son la mia anfetamina, i fagioli saran la mia rovina”: “beans are my amphetamine, beans will ruin me”…) and street rockers Windopen, with their anthem “Sei in banana dura” and the sleazy “La testa”. Skiantos ended up being one of the most influential and long-lived outfits in italian rock history. They’re alive and kicking, and a new album, Dio ci deve delle spiegazioni (“god owes us some explanations”) has been recently released. Windopen founder Roberto Terzani later joined Litfiba as a bass player when Gianni Maroccolo left the band, in 1990.
The Stranglers/2-Tone-oriented Take Four Doses from Rome – featuring Stefano Pistolini, now a well-known journalist and writer – wheezing introduced the Milan contributions: Kaos Rock were Gianni Muciaccia’s band with Luigi Schiavone on the guitars, who later joined Enrico Ruggeri in his successful solo career. Their a-side “Basta, basta” was already included as the opening track in the live tribute to Demetrio Stratos 1979 Il concerto (“1979 the concert”, 1979), but not in their sole album WW3 (1980). Wavey-garage X-Rated also appeared in the legendary Gathered (1982) compilation, together with Diaframma, Pankow, Not Moving, Death SS, Victrola, and others, before disappearing. As for Kandeggina Gang, you can check out my post about Jo Squillo Eletrix’s Girl senza paura, which featured a different version of their b-side “Orrore”.
Dirty Actions from Genoa completed the line-up with their prodigious ironic, messy clang’n’roll (“siamo figli del demonio, vi spacchiamo le vetrine, vi bruciamo le officine, vi alziamo le cantine, vi traviamo le bambine, vi vuotiamo le piscine, vi turbiamo le vecchine”, “we are sons of the devil, we smash your shop-windows, we burn your garages, we lift up your cellars, we corrupt your baby girls, we empty your swimming pools, we upset your little old ladies”). Their song “Bandana boys” was later included in Gathered as well. They seem still active; you can learn more about them on their web page.
Here is the tracklist:
01, Skiantos, Fagioli (“beans”)
02, Windopen, Sei in banana dura (“you’re in a hard banana”, street slang referring to a drug-related state of confusion)
03, Windopen, La testa (“the head”)
04, Take Four Doses, Vita di strada (“street life”)
05, Take Four Doses, La notte che inventarono gli eroi (“the night they invented heroes”)
06, Kaos Rock, Basta, basta (“that’s enough, that’s enough”)
07, Kaos Rock, La rapina (“the robbery”)
08, X-Rated, Blockhead dance
09, X-Rated, Routine
10, Kandeggina Gang, Sono cattiva (“i’m bad”)
11, Kandeggina Gang, Orrore (“horror”)
12, Dirty Actions, Rosa shocking (“shocking pink”)
13, Dirty Actions, Figli del demonio (Dirty Actions S-Ha) (“sons of the devil (dirty actions s-ha)”)
Get it: AA. VV., Rock ’80 (1980)
Bologna 1977, “Skank Bloc Bologna”: the boiling point. Communist party as the establishment. Autonomia Operaia, Dams (the art and music faculty). The student Francesco Lorusso killed by the police. Indiani metropolitani, Radio Alice, situationism. Wrenches in the pockets. Pop culture is the weapon. Lambrusco wine and plegin. And sedatives. And heroin. Tortellini punk. The rise of post-modernism.
Traumfabrik was the name of a squatted flat in the center of the city, part house, part art studio, part club. People like Filippo Scozzari and Andrea Pazienza – members of “Cannibale” comics ‘zine’s crew and later founders of the seminal magazine “Frigidaire” – Renato De Maria, Oderso Rubini, and many others kids from the scene used to live, work, perform, or just gather there to meet people, listen to music, enjoy drugs, and have fun. Among them, the Ramones-fixated, leather-jacketed young guys who were soon to form the one-song, one-show punk sensation Centro d’urlo metropolitano (“metropolitan scream center”).
Their 25th September 1977 few minutes live appearance performing “Mamma dammi la benza” (“mommy gimme the fuel”) during a festival in Bologna, ending up in a paper balls fight between the stage and the audience, is a landmark in italian pop history, and anticipated the official breakthrough of “rock demenziale” (“demented rock”), a peculiar italian contribution to post-punk history whose most important representatives have been Skiantos, another band from the area.
Anyway, Centro d’urlo metropolitano was soon to mutate into a whole different thing. When their anthem was eventually released on the miscellaneous tape Sarabanda, the guys now known as Gaznevada (a name inspired by a Raymond Chandler’s short story) were already experimenting with sound and lyrics under the influence of acts such as Devo, Talking Heads, Pere Ubu and Contortions, evolving from their early raw and unorganized two-chords punk-rock attack towards the unique and amazing spaghetti-no wave of their masterpiece debut album Sick Soundtrack (1980).
Oderso Rubini, who had recently started his own label Harpo’s Music, taped them during their 1979 rehearsals, documenting the stunning work in progress which would have led to their first full-length effort. Gaznevada was the result of these sessions, and the seventh issue of the label. What you can find here is a band strugglin’ to find their true voice, between the disconnected upbeat of “Everybody enjoy with reggae music”, and the fascinating, sharp, lirically intriguing manifesto “Nevadagaz”, re-recorded for their legendary first 7″ in 1980. It’s the birth of a legend.
Here is the tracklist:
01, Everybody enjoy with reggae music
02, Criminale (“criminal”)
03, Donna di gomma (“rubber woman”)
04, Bestiale (“bestial”)
05, Mamma dammi la benza (“mommy gimme the fuel”)
06, Teleporno T.V. (“porn channel T.V.”)
07, Johnny (fallo per me) (“Johnny (do it for me)”)
Get it: Gaznevada, Gaznevada aka Cassetta Harpo’s (1979)
[edit March 9th, 2009: thanks to our friends at Shake Edizioni this tape is finally available on cd, with the title Mamma dammi la benza!, together with a short book about Gaznevada and the video Telepornovisione by Giampiero Huber, Renato De Maria and Emanuele Angiuli. Obviously the download link has been removed. Go and buy it at the publishing house’s website.]
Gaznevada released four albums before breaking up in 1988, progressively shifting towards italo disco and synthpop. They joined Edoardo Bennato for his 1980’s Uffà uffà, and played gigs with the likes of DNA, Chrome, Lounge Lizards, Bauhaus. Their 1983 hit “I.C. Love Affair” is a club classic and has been recently remixed by Munk for the Confuzed Disco compilation (2006). Former guitarist Ciro Pagano (aka E. Robert Squibb) is a founding member of the successful italo-house outfit Datura.
Harpo’s Music would have soon become Italian Records – together with IRA from Florence THE italian new wave label, hosting the likes of Gaznevada, Skiantos, Windopen, Sorella maldestra, Luti Chroma, Confusional Quartet, The Stupid Set, Kirlian Camera, Johnson Righeira, Monofonic Orchestra, N.O.I.A., Art Fleury, A.I.M., Neon, Hi-Fi Bros, etc. Gems from Italian’s back catalogue (such as Gaznevada’s Sick Soundtrack) are being reprinted by Oderso Rubini’s new label Astroman.